Izumo Taisha is famous for hosting 8 million gods from around Japan for their annual meeting during Kamiarizuki, but for every big conference there’s always a lot of spillover into the surrounding hotels. Actually, some records indicate that the gods may have been gathering at Sada Shrine before gathering at Izumo Taisha!
While the gods are absent from the rest of Japan and hanging out here in the Izumo region, they discuss romantically (or platonically) thrilling En-musubi, but when they gather at Sada Shrine in northwest Matsue, it’s for a purification ritual to ward off bad luck. It’s also as though they’re stopping by to visit the final resting of their mother, seeing as Izanami‘s tomb is located nearby on Mt. Hiba.
Speaking of Izanami, she’s one of the 12 kami enshrined here. It’s not uncommon for shrines to be dedicated to more than one kami, but it’s uncommon for them to have three honden (main hall which house the deities, normal people are not allowed in here!). While this shrine was likely originally designed with one honden, the north and south shrines were added later on to accomodate more gods, likely by the end of the Heian era roughly eight centuries ago. While Izanami and Izanagi are in the central shrine with Sada-no-Okami, the bickering siblings Amaterasu and Susano-o are seperated in the north and south honden respectively.
The current shrine architecture has been around since 1807, and have since been deemed Important Cultural Property. Like Izumo Taisha, it’s built in Taisha-tsukuri style architecture. While Izumo Taisha is the typical example, there are variations on the layouts of these kinds of shrines, and many of them (such as Kamosu Shrine, another Izanami shrine) have been quite famous and/or influential throughout history. Like shrines throughout Japan, they may have auxiliary shrines dedicated to other gods throughout the premises, and worshipers are typically not allowed to enter center parts of the shrines without permission, a good reason, paying money, or some combination of the three. Instead, you leave your offerings in the designated spaces, clap your hands, and then don’t get in the deities’ personal space.
Click to view larger version. I’ve indicated where visitors go, and where the holy objects go while the shrine is under reconstruction.
Click to view larger version. Note the four-square layout of inner shrine, a characteristic of Taisha-tsukuri shrine architecture.
As for that personal space, what’s there? It varies according to each shrine, but quite often there is a holy object. As opposed to idols signifing the physical appearance of the kami, one of the oldest items still used today is but a simple, circular mirror. At some shrines, such as Iya Shrine, these are in plain site from where you make your offerings. As for Sada, it happens to be home to Saiehiogi, one of the oldest paintings on a fan screen in existence.
Since the honden is a dwelling place for the gods and Sada welcomes millions of them, the floors must be kept clean. Hence, there is a ceremonious changing on the tatami mats every year. And by ceremonious, I mean song and dance known as Sada Shin-Noh, better introduced by way of a video. This is UNESCO intangible world heritage, a Noh-like performance that has a strong influence on the more sprightly performances of Kagura dance.
Performances are broken up over two nights, the first being more subdued, the second being more energetic. I’ve watched the first, but did not have permission to take photos (and wouldn’t have gotten good ones anyway). Hence, here are some photos of the empty performance hall during the daytime.
Excluding the interior of the honden, I did have permission to enter part of the inner shrine recently to see the reconstruction process on the roof of the southern honden. Pictures are in this entry.
A quick explanation and purification rite before we begin…
…and up we go.
San'in Monogatari 
Your thoughts?